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If What Is Billiards Is So Horrible, Why Don't Statistics Present It?

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작성자 Jan
댓글 0건 조회 2회 작성일 24-09-10 06:19

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Let them breathe as they feel like breathing. Like cures like homeopathy. And they do a rather surprising mantram which is like this-which you can very easily do-and it has the function of all these mantra. Let go of your ears, let them hear whatever they like. And let the in-breath return-don’t pull it back, but let it come back as a reflex. Actually, the word "om" is spelled out in Sanskrit a-u-m, and thus comprises the whole range of sound from the back of the throat to the lips. We are not very particular about what sounds, but just listen to the whole natural flow of sound as you would listen to music. The pockets are wider and more forgiving compared to snooker tables. Snooker is different from billiards and pool because three balls can be used as a striker to hit other balls whereas you can only hit the white cue ball in the former.



Potting a ball into the wrong pocket is a foul, and three consecutive fouls mean that the opponent wins the game. The number of points awarded for potting a ball varies depending on the specific game being played. Each ball except the cue ball has a numerical value attached to it, and all the balls are solid colored.There are 15 red balls, what is billiards each of which are worth one point. Each shot has its point value ranging from four for the ‘simplest’ shot and twelve for the ‘most challenging’ shot. In a long hole of over four hundred yards, the golfer need not bother his head about strength for the first two strokes; he has to hit both these as hard as he can-there is no nice calculation of less or more. AT first you have the impression of a provincial town; but suddenly you wonder whose this old castle can be. While pin-at-a-time picking is usually the most reliable way to open a given lock (and the skills used essential for mastery of other techniques), raking can sometimes open a lock more quickly. Let it go out in the same way as you would nestle yourself down into an extremely comfortable bed, where you sink in and in and in, and you let it flow out through your lips, so that you will know by the feel of air on your lips that you are really breathing and not just straining your muscles.



I have heard it said that Goethe used to go to the top of a tower every day in order to accustom himself to look down without growing giddy. And you will find that the more you have that feeling, the greater will be the energy of the sound. Some of you will find it possible to harmonize a melodic theme that fits the basic melody. That is to say, a constant sound, as of the tampura in the Hindu orchestra, over which the melody floats. And so all that discursiveness prevents us from getting into the heart of the vibration which is sound, and which is, of course, the real meaning. I want everybody silently to imagine a sound, a note, which seems to be convenient and comfortable to you. The governor would say, ‘Hello, here-didn’t see anything in France? First I thought I’d leave France out and start fresh. And what I suggest we do is this: first of all, we’ll do a certain variation on it which is rather interesting. Now, what I suggest you do is this: have yourself seated with your backs as straight as possible, but not stiff.



It’s important to let the sound sing itself and not have the feeling that you are making it happen. But it isn’t its meaning, it’s its sound that is here important. So feel your sound first, quite silently. Rustic / Refined: Muted reds and soft, light browns can be used to create both the homey feel of a cabin setting and the luxurious aesthetic of an old-fashioned home billiards parlor. And now see how you feel. One and many. And you can, by listening to the gong, really fade out: see how one turns into many. Finally there is the case of billiards, not a game that is very closely allied to cricket, but one from which much may be learned. The middle-aged player perhaps realises the fact that golf is a game, while to the youngster it is business: the veteran plays philosophically, and if he does this he may very likely find himself putting respectably. Yes. So, in the same way, in India and Tibet and Buddhist countries in general you will find that they use the syllables "om," "ah," "hung" for purposes of meditating on sound. It follows gravity. So, very gently, would you try the experiment of allowing your breath to fall out.

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