• 목록
• 답변
• 글쓰기
• 게시판 리스트 옵션
  • 수정
  • 삭제

Fela Kuti

The life of Fela is full of contradictions, and that's a large part of what makes him so captivating. People who love him are able to forgive his bad sides.

His songs are usually 20 minutes long or longer, and sung in a thick Pidgin English that is almost unintelligible. His music is influenced primarily by Christian hymns and classical music. He also includes jazz, Yoruba, and highlife with guitars and horns.

He was a musician

Fela Kuti embodied that music can be a powerful tool to change the world. He used his music to advocate for changes in the political and social spheres, and his influence is evident in the world of today. His musical style, Afrobeat, is a combination of African and Western influences. Its roots are in West-African and funk. However, it has evolved into a brand new genre.

His political activism was ferocious and he did it without fear. He used his music to speak out against corruption in government and human rights violations. Songs like "Zombie" and "Coffin for the Head of State" were bold criticisms of the Nigerian regime. He also used his residence, Kalakuta Republic, as an area for political activism and an opportunity to meet people who were like-minded.

The play features a huge portrait featuring his late mother Funmilayo ransome-Kuti. She was a well-known feminist and activist. She is portrayed by actress Shantel Cribbs, who successfully communicated her importance in the life of Fela. The play also examines her political activism. Despite her declining health she was unable to get checked for AIDS and instead chose traditional treatments.

He was a singer

The Fela Ransome Kuti was a complex musician who used his music to effect political change. He is credited with being the creator of afrobeat. It was an invigorating hybrid of funk and traditional African rhythms. He was also a constant critic of Nigeria's governmental and religious leaders.

Being raised by an anti-colonial suffragist mother It's no surprise that Fela had a passion for social commentary and politics. His parents wanted him to be an ophthalmologist, but he had different plans.

While he initially sounded in a more apolitical, highlife fashion, a trip in America would change his outlook forever. Exposure to Black power movements and leaders such as Malcolm X and Eldridge Cleaver would have a profound influence on his music. He adopted a Pan-Africanism ideology that would inform and guide his later work.

He was a music producer

Fela met Black Power activists like Stokely Carmichael, and Malcolm X while in the United States. The experience inspired him to start an organization called the Movement of the People, and to compose songs that reflected his ideas on black and political consciousness. His philosophies were publicly expressed through yabis, a form of public speaking that he called "freedom expression". He also began to impose strict moral codes for his band, such as refusing to take medications from doctors trained in the West.

Fela returned to Nigeria and began building his own club in Ikeja. The raids by officers and police were almost daily. Mosholashi-Idi-Oro's hangers-on repopulated the area around the club with hard drugs, including "bana" and "yamuna" (heroin). Fela kept his integrity in spite of this. His music speaks to his determination in challenging authority and ensuring that the desires of the masses are reflected in official goals. It is an amazing legacy that will endure for generations to be.

He was a poet

In his music, Fela used light-hearted sarcasm to discuss political and economic issues in Nigeria. He also mocked his fans as well as the government and himself. During these shows, he referred to himself as "the big fish in the small pond." These jokes were not taken lightly by the authorities and he was frequently arrested and imprisonments, as well as beatings at the hands of authorities. He eventually adopted the name Anikulapo, which means "he has death in his pocket."

In 1977, Fela released a song called "Zombie" in which he compared soldiers to blind zombies who obeyed orders without asking questions. The military was offended by the song and seized Kalakuta Republic. They burned it down and beat its residents. During the raid, Fela's mother was thrown from her second-floor apartment through a window.

Fela developed Afrobeat during the years that followed the country's independence. Afrobeat is a music genre that combines jazz and indigenous African rhythm. His songs criticised European cultural imperialism and defended traditional African traditions and religions. He also criticized fellow Africans who betrayed their nation's traditions. He also stressed the importance of human rights and freedom.

He was a rapper

A trumpeter, saxophonist and composer and pioneer of the Afrobeat genre, Fela Anikulapo-Kuti was born in 1938 in Abeokuta, Nigeria. He was inspired by rock, jazz, and roll and also traditional African music, chants, and music. After a trip to the United States, Fela met Sandra Smith. She was an activist in the Black Power Movement. Her ideas were influential in his work.

Upon his return to Nigeria, Fela began using his music as a political tool. He criticised the government of his native country and argued against Western sensibilities that impacted African culture. He also wrote about social injustices and human rights abuses and was frequently detained for his criticism of the military.

Fela also advocated for the use of marijuana, also known as "igbo" in Africa. He frequently held public discussions at Afrika Shrine, which he referred to as "yabis" where he would ridicule government officials and spread his beliefs on freedom of expression and the beauty of women's bodies. Fela had an harem, which was an ensemble of young women who performed in his shows as well as backing his vocally.

He was a dancer

Fela was a master of musical fusion. He fused elements of beat music, and highlife into his own distinctive style. He influenced a generation African musicians and was an outspoken critic of colonial rule.

Fela refused, despite being detained and tortured by the Nigerian military junta as well being a witness to the murder of his mother. He died in 1997 from AIDS-related complications.

Fela was a prominent political activist who was critical of the oppressive Nigerian Government and supported the principles of Pan Africanism. His albums, including 1973's Gentleman focused on the oppression of both government and colonial political parties. He also advocated black power and criticised Christianity, Islam and other non-African imports for dividing the people of Africa. The title track from an album released in 1978, Shuffering and Shmiling, describes the overcrowded public buses full of poor people "shuffering and shmiling." Fela was a fierce opponent of religious hypocrisy. His dancers were an excellent match for his music. They were sensual, vibrant, and regal. Their contributions to the performances were as important as Fela's words.

He was a political activist

Fela Kuti utilized music as a tool to challenge unjust authorities. He steered his knowledge of American jazz and funk to African modes and rhythms, creating a sound that is braced for a fight. The majority of his songs start with slow-burning instrumentals. He layers notes, riffs and other elements until they explode with a sense of urgency.

Fela, unlike many artists who were scared to discuss their political views was unflinching and uncompromising. He stood for his beliefs even when it was risky to do so. Funmilayo Ransome Kuti was a feminist who was the leader of the Nigerian Women's Movement. His father was a protestant minister and the teacher's union president.

He also founded Kalakuta Republic - a recording studio and commune that grew into a symbol of the resistance. The government seized the commune, destroying the property and fela claims injured Fela badly. He refused to relent however and continued to protest against the government. He died of complications from AIDS in 1997. He was succeeded by his son, Femi, who continues to carry on his music and political legacy.

He was a father

Music is often seen as a political federal employers’ liability Act with musicians using lyrics to call for change. However, some of the most effective music-related protests don't rely on words at all. Fela Kuti was one of them, and his music still rings out today. He pioneered Afrobeat which combines traditional African harmonies and rhythms with jazz and funk, inspired by artists like James Brown.

Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and fought colonialism. She helped form the Abeokuta Women's Union and Fela Case Settlements fought against gender-discriminatory taxation laws. She also was a Marxist and believed that Nigeria should be serving its all citizens.

Seun, Fela's Son, continues to carry the legacy of his father with a band named Egypt 80. The band is touring the world in this year. The band's music blends the music and politics of Fela's time with a searing denunciation of the same power structures that are still in place today. The album, Black Times, will be released in March. Thousands of fans attended the funeral and paid tributes at Tafawa Balewa Square. The crowd was so big that police were forced to shut off the entrance to the location.