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Fela Kuti

Fela's life is full of contradictions, which is part of what makes him fascinating. People who love him will forgive the flaws in him.

His songs often run for longer than 20 minutes and are performed in thick, almost incomprehensible Pidgin English. His music is influenced by Christian hymns and jazz, classical music Yoruba chant, and horn-and-guitar heavy highlife.

He was a musician

fela federal employers liability act Kuti embodied the idea that music is a tool for change. His music was used to argue for political, social and economic change. His influence is present today. Afrobeat is a form of music that blends African and Western influences. Its roots are in West-African high-life and funk, but it has since evolved into a distinct genre.

His political activism was ferocious and unflinching. He made use of his music to protest government corruption and human rights abuses. Songs like "Zombie" and "Coffin for the Head of State" were daring critiques of the Nigerian regime. The residence he lived in, Kalakuta Republic, as a hub for political activism and a gathering place for like-minded individuals.

The production features a huge portrait of his mother, Funmilayo Ransome-Kuti, who was a well-known feminist activist and pioneer of the feminist movement. Shantel Cribbs portrays her and she does a fantastic job of conveying her importance in the life of Fela. The play also explores her political activism. Despite her deteriorating condition, she refused to undergo tests for AIDS. Instead, she chose traditional treatment.

He was a singer

Fela Ransome-Kuti was a complex man who employed his music to effect political change. He is renowned for his creation of Afrobeat, a mix of funk and dirty African rhythms. He was a fervent critic of Nigeria's governmental and Federal employers’ religious leaders.

Having been raised by an anti-colonial feminist mother, it is no surprise that Fela was a fan of social commentary and politics. His parents wanted him to be an ophthalmologist however, he had other plans.

A trip to America changed his life forever. Exposure to Black political movements and leaders like Malcolm X and Eldridge Cleaver would have a profound impact on his music. He adopted the Pan-Africanism philosophy, which would inform and guide his later work.

He was a writer.

Fela encountered Black Power activists like Stokely Carmichael, and Malcolm X while in the United States. This led him to start an organization called the Movement of the People and write songs that expressed the ideas he had about political activism and black awareness. His philosophies were expressed in public via the way of yabis, an art of public speaking that he dubbed 'freedom of expression'. He also started to impose an ethical code of conduct on his band. This included refusing to accept medication from Western-trained physicians.

Fela returned to Nigeria and started building his own club in Ikeja. The frequent raids by officers and police were almost constant. His Mosholashi-Idi Oro hangers were able to repopulate the area around the club with drugs of all kinds, especially "bana" and "yamuna" (heroin). Despite this Fela was a man of uncompromising integrity. His music is a testament to the determination with which he challenged authority and demanded that popular ambitions be reflected in official goals. It is an influence that will last for generations.

He was a poet

Fela's music utilized sarcasm as well as humor to draw attention to the political and economic issues in Nigeria. He also snarkily mocked his audience, the government, and even himself. He often referred to himself during these shows as "the big dick on the pond with the little fish." The authorities did not take his jokes lightly and he was frequently detained, imprisoned, and beating by the authorities. He was eventually given the name Anikulapo, which means "he is carrying his death in his bag."

In 1977, Fela released a song called "Zombie" in which he contrasted soldiers with mindless zombies who followed orders without asking questions. The military was offended by the song and conducted a raid on Kalakuta Republic. They burned the place down and beat its inhabitants. In the course of the raid, her mother was thrown out of her second-floor window.

In the decades following the independence of Nigeria, Fela created Afrobeat, an genre of music that combined jazz and traditional African rhythm. His songs criticized European cultural imperialism and defended traditional African traditions and religions. He also criticized fellow Africans for betraying their country's tradition. He also stressed the importance of human rights and freedom.

He was a hip-hop artist

Fela Anikulapo Kuti, trumpeter and saxophonist was born in Abeokuta in 1938. He is a pioneer in Afrobeat music. He was influenced by rock, jazz, and roll as well as traditional African music, chants and music. After his trip to the United States in 1969, Fela met Sandra Smith, an activist from the Black Power movement, and her ideas impacted his work dramatically.

Fela's music was an instrument of political power upon his return to Nigeria. He criticized the government of his home country and argued against Western sensibilities that impacted African culture. He also wrote about social injustices and human rights violations and was often detained for his criticism of the military.

Fela was also a proponent of marijuana in Africa and is referred to as "igbo". He often held public discussions at Afrika Shrine, also known as "yabis" where he would slam government officials and spread his beliefs about freedom of expression and the beauty of women's bodies. Fela also had an entourage of women in his youth, who performed at his shows and acted as vocal backups to his vocalists.

He was a dancer

Fela was a master of musical fusion. He incorporated elements of beat music, and highlife to create his own unique style. He influenced generations of African musicians and was a vocal critic of colonial rule.

Fela refused to be interrogated and detained by the Nigerian military junta as well being a witness to the murder of his mother. He died in 1997 of AIDS-related complications.

Fela was an activist for the political cause who was a critic of the oppressive Nigerian government and embraced the principles of Pan Africanism. His albums, like 1973's Gentleman focused on the oppression of both government and colonial parties. He also advocated black power and criticized Christianity, Islam and other non-African imports that divide the people of Africa. The title track from an album released in 1978, Shuffering and Shmiling, describes the over-crammed public busses packed with workers "shuffering and smiling." Fela was a staunch opponent of religious hypocrisy. His music was enhanced by his dancers, who were lively, sensual, and regal. Their contributions were just as important as Fela's words.

He was a political activist

Fela Kuti was an activist who utilized music to challenge the unjust authority. He steered his knowledge of American jazz and funk to African patterns and rhythms, resulting in music that is ready for battle. The majority of his songs start as slow-burning instrumentals. He layers notes, riffs and other elements until they explode with a sense of urgency.

Fela, unlike many artists who were scared to discuss their political views was unflinching and Fela railroad uncompromising. He stood in the cause he believed in, even when it was risky. Funmilayo Ransome Kuti was a feminist leader of the Nigerian Women's Movement. His father was both a protestant minister as well as the teacher's union president.

He also founded Kalakuta Republic - a recording studio and commune that became an emblem of the resistance. The government raided the commune, degrading the property and injured Fela badly. He refused to give up, however, and continued to speak against the government. He died from complications of AIDS in 1997. He was succeeded by his son, Femi, who continues to continue his musical and political legacy.

He was a father

Music is often viewed as a political act, with musicians using lyrics to demand change. Some of the most powerful music demonstrations are not accompanied by words. Fela Kuti is one the artists mentioned above and his music resonates today. He was the first to pioneer Afrobeat, combining traditional African rhythms and harmonies with jazz and funk, being influenced by artists such as James Brown.

Funmilayo Ransome Kuti was Fela's activist mother. She was a unionist and opposed colonialism. She helped form the Abeokuta Women's Union and fought against gender-discriminatory taxation laws. She also studied marxism and believed in a Nigeria that served its all of its citizens.

Seun, Fela's Son, continues to carry the legacy of his father with the band Egypt 80. The band will be touring the globe this year. The band's music combines the sounds and political stances of Fela's time with a fervent denial of the same power structures that continue to exist today. Black Times will be released by the end of March. Thousands of fans gathered to pay their respects at the funeral in Tafawa Balewa square. The crowd was so big that police had to shut down the entrance to the venue.